bird

Two heads are better than one - Florida Pelican Fine Art Photography

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quizzical brown pelican - Florida Fine Art Photography - Nikon D300 Nikkor AF-S 105mm VR micro f/2.8G lens @ f/5.6 ISO 200 1/160thThe many brown pelicans that make St. Petersburg home are a frequent photography subject of mine.  These birds are often very approachable, allowing one to look deep into the bird's eye, a rare human-non-human-animal close-up encounter.  I am always curious what animals are thinking.  Since they supposedly have a much different perception of time, how does this affect how they think?  If pelicans cannot think of the far future and who knows how far back their memories of past events go, what occupies their minds?  Perhaps nothing enabling them to live in a blissful present?  I often get the impression pelicans look upon humans with contempt, "go on with your life and quite gawking at me," I imagine them saying.  Are humans the only animals that feel wonder toward other animals?  Does a pelican look upon a great blue heron and think it is beautiful or merely a competitor for food?

unimpressed brown pelican - St. Petersburg Fine Art Photography - Nikon D300 Nikkor AF ED 80-200mm f/2.8D lens @ f/4 ISO 200 1/1250th


Florida Brown Pelican Fly Hunt Sleep at The Pier St. Petersburg

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FLY -- Brown Pelican in flight St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/1250thRegular readers will know that I enjoy and often photograph brown pelicans.  They are not a rare bird around this part of Florida at all.  In fact, it would be rare to go to any coastal area of St. Petersburg and not see one.  However, I find myself continually drawn to photographing them despite my usual instinct being to not photograph things that are commonly photographed.  Plus, I have a bit of unfinished business as I still want to photograph a pelican in flight hovering just over the surface of the water as they are apt to do.  Catching one in flight like above requires seeing the bird approach from distance, tracking it as it swoops in, then of course have sufficient shutter speed to freeze it in mid-air.  Maybe some luck is required too?

HUNT - brown pelican looking for lunch at The Pier St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/1600thI used my Nikkor AF-S 105mm VR micro f/2.8G lens for all these shots.  It is not a very long lens but The Pier provides a very close vantage point for photographing pelicans as they fly, hunt and sleep.  To photograph these three different female brown pelicans I observed and studied their behavior.  Of course the sleeping one was not a challenge, but the flying one took a sharp eye to find and photograph and I needed to follow the hunting pelican from pier top to pier top until I could catch her while still standing at the ready.

SLEEP -- brown pelican catching a little shut eye at The Pier in St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/800thAs these photographs illustrate, brown pelicans do not all exhibit the same behavior at the same time of day.  Some flew, some hunted and many slept.  One day, I will photograph one of you skimming over the water's surface!  Until then, expect more pelican photographs of another nature.

These brown pelican photographs are available for commercial license and fine art print, inquire today!

Photography Tip - use portrait orientation for long tall subjects like a great egret

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Photography Tip - portrait orientation allows the great egret to fill the frame - The Pier, St. Petersburg, Florida

  • Setup:  Nikon D300 Nikkor 80-20mm f/2.8D @ f/4 ISO 200 1/2000th 

Getting into a fixed routine of using landscape orientation with your DSLR is easy.  After all, the DSLR seems to be designed to be held horizontally.  However, only using landscape orientation eliminates 50%+ of composition possibilities!  Not to mention it makes it extremely awkward to photograph long, tall subjects like the above great egret.  Perhaps the best criticism I was every given about my photography was there there were not enough portrait orientation shots (thanks Jeff!).  I was told that over two years ago.  Ever since then every time I shoot I am mindful of using an appropriate amount of landscape and portrait orientation shots.  Maybe now you will be too.

When shooting in portrait orientation, I like to hold the grip part of the DSLR up, which allows me to still wedge my left elbow into my body creating a stable shooting position.  The highest end DSLRs (i.e. $5000+) come with a vertical grip built in.  However, many other DSLRs do have vertical grip accessories available for them made by the manufacturer.  Another benefit of using a vertical grip is that it houses more batteries so you can shoot longer.  

This great egret photograph is available for commercial license and fine art print

Pigeon dreams of being the black swan

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Is this pigeon dreaming of being the black swan?I often wonder what someone, something, anything animate or inanimate, might be thinking.  I believe even an inanimate object can feel, thus I would never haphazardly toss my shoes into the closet, or set something heavy on top of them, for example.  It is much easier to wonder what animals are thinking since they are sentient, but cannot speak English.  Thus, they have to be thinking something, but they have no verbal way of telling me.  So, I am left to observing their behavior and concluding from that what possibly might be going through their minds.

Such is the case with the above pigeon.  It was reaching elegantly and gracefully for its closest tail feather.  It instantly looked to me like a ballet dancer reaching for her toe over her back.  That lead me to thinking of BLACK SWAN, the 2010 movie starring Natalie Portman (my movie review).  Might this pigeon want to be the Black Swan?

Great Egret flying in St. Petersburg Florida - bird photography tips

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Great Egret in flight - St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2500thContinuing with the bird trending blog posts, I had the opportunity to photograph a great egret up close and in flight.  As you can see I did not have to use a 600mm lens to get this tight of a shot of the great egret.  Nor was I in an airplane.  The secret to being able to get a shot like this without spending $10,000 is to . . . go to The Pier in downtown St. Petersburg!  Even the base of The Pier itself is rather high off the water often putting you at eye level to passing and even incoming birds.

great egret - The Pier in St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2000thThis afternoon was a rare very overcast Florida day.  That meant I did not have to worry about getting my back to the sun or anything like that.  In fact, shooting a white bird like this great egret is best done on an overcast day I think, not counting sunrise or sunset time of course.  So, without having to worry about the light because the light was the same from any direction, the last location factor to be mindful of was:  background.  I often say bird shots are make or break first because of the light, and second because of the background.  Without a fantastically clean background, your shot will just not stand out from the other thousand great egret shots taken every day in Florida.  Of course one of the ways to reduce the impact of the background is to just make it all creamy bokeh.  Still, color of the bokeh does come into play.  Do you think the transition of brown at the base of the above photo works, or would it be better all blue-gray?  I thought it added another point of interest in the frame myself.  Let me know in the comments if you agree or disagree.  One last thing about the photo, looking at a bird like a great egret is strange and reminds of the rare times Beavis every looked straight ahead.  There is just something off about it!  Ah, and notice how I set the focus on the bird's eye.  Without the eye in focus, the shot would have been a fail, or I would have had to pass it off as "artistic style" of some sort!

Great Egret beak - The Pier St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2000thOne last tip on photographing long-necked birds:  they are an awkward shaped creature, and it is often not the most flattering to include their entire body in the shot, especially when standing, and doubly especially when they are standing on a concrete wall!  Nothing takes the nature out of your shot like a human-made structure!  

Hence, in the above shot I focused on framing only a part of the great egret.  I used the rule of thirds and placed the eye in the upper left most third.  I had the bird looking into the empty space of the frame.  I of course also made sure the background was clean and the bokeh color complementary to the white of the egret.  Plus, I just think it looks cool to see this long neck protruding from the bottom of the frame.

Please share any of your Florida bird photography tips and links to your own shots in the comments below.

Photography Tip - Previsualization of bleach bypass

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Previsualized for bleach bypass filter - Nikon D300 Nikkor 50mm f/1.8D @ f/11 ISO 200 1/400thOne photography tip to keep in mind as you start to progress as a photographer is previsualization.  This is the process by which you see the final photograph before you even put the camera up to your eye.  I was teaching a 1-on-1 DSLR Photography Lesson at John's Pass Village recently in very poor, harsh mid-afternoon Florida light.  This meant there was no reason for me to look for shots that would produce great color or exposure.  So I did not.  Instead, I switched my mind to looking for possible black & white or similar photo opportunities.  

As soon as I saw all these birds sitting in a neat row on the railing of a pier this popped into my head:  use the rectangular shape to frame the shot, post-process using a bleach bypass filter (found in Color Efex Pro).  How was this able to instantly come to my mind?  Because I had already started the previsualization process when I accessed the natural light situation.  I gave myself a very specific type of shot to focus on looking for, so once a possibility was seen, I knew right away how I wanted to photograph it.

This is what the above scene looked like to the naked eye:

Being able to see the potential for a shot is KEY to producing consistently satisfying imagesThe next time you set out with your DSLR, try to previsualize shots before you even think about pushing the shutter.  This will not only likely help you produce better photographs, it will cut down on the number of shots you just immediately delete when you get home.

Post a link to your previsualization results in the comments below . . .

A pelican hiding inside of a pelican

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brown pelican (female) - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D lens @ f/4 ISO 800 1/400thPelicans are very malleable birds.  Though they may not be very beautiful or majestic, I think if I had to live life as a bird I might choose to be a pelican just for how many different ways they can fly, swim and rest in.  One of my long term photography goals is to photograph a pelican at near eye level as it just skims over the surface of the water.  In the meantime, I still find pelicans in new positions I have not seen before.  

The above female brown pelican had her neck turned 180 degrees with her beak resting between her wings in a homemade feather pillow.  Using my Nikkor AF ED 80-200mm f/2.8D lens @ 200mm I did not disturb her at all to make this photograph, but I cannot tell for sure if she was sleeping with one eye open or not.  

I wondered what she was dreaming about.