Tampa

Tampa Theatre Marquee Glowing at Night & Day Landmark

Tampa Theatre glowing marquee & sign at night - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1 sec tripod mounted with cable releaseContinuing a recent trend of photographing Tampa Bay area landmarks, in particular ones I had never really photographed before, I was glad to finally have the opportunity to make these shots of the historic Tampa Theatre located right in the middle of downtown Tampa.  There is no better place I know of to go and have an old time movie experience.  As cool as the theater looks on the outside, it is 10x cooler on the inside.  It is easy to create images with atmosphere when photographing such a place.  

Tampa Theatre marquee in daylight - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR tripod mounted with cable releaseI have not actually seen a movie at Tampa Theatre since the 90s, when I used to go semi-regularly.  I was living abroad for most of the 00s and since returning to Florida and moving across the bay from the theater, have not made the journey at night to see the more independent movies the theater features.  

Panorama Tampa at Twilight Views from a Parking Garage

Downtown Tampa Panorama at Twilight Bird's Eye View - click for 1200px image - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 5 sec 3-frame panorama tripod mounted with cable release

It is hard to pry me out of St. Petersburg.  Thankfully, a new client hired me to make some images of Tampa for their new website giving me the opportunity to cross the Howard Frankland Bridge with my DSLR and tripod in tow.  Of all the photographs I took that afternoon and evening, in this post a selection of images taken all from the same spot atop a parking garage are featured.  I had never been to the top of this parking garage before.  I just stumbled upon it as I was searching for bird's eye vantage points of downtown Tampa.  It was a little hard to get into, as I had to risk walking up the narrow entrance ramp before I found an actual parking level that had elevators to the top.  I later found out the actual entrance is inside a building on the other side.  After walking the last three flights to the roof (the elevator I was in did not go to the top) carrying all my gear, I was glad I as always was properly attired with the best footwear possible.

University of Tampa from above at dusk with light trails - Nikon D300 Tamron 17-50mm @ f/16 ISO 200 5 sec tripod mounted with cable releaseIt was a very unique feeling being alone on the top of that garage.  There were only two cars left parked on the far side from me.  It was after 5:30pm and everyone had already gone home for the day.  I felt like I was in a secret spot with a view of all downtown Tampa.  All this added up to a feeling of peace.  My Nikon D300 was on my Induro CT214 tripod, so I had no weight on my body from gear.  I could move about freely looking for shots.  At first there was too much light to make the light trail shots I wanted to, so I passed the time by observing and wondering.

Blue Skyscraper to Blue Infinity with Moon - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1.6 sec tripod mounted with cable release - lens correction in Photoshop CS5 to straighten buildingBehind where I knew I wanted to do most of my shooting stood a tall blue skyscraper trying to reach to the Moon.  I thought it interesting how the color of the building nearly blended in perfectly with the twilight sky.  I debated for awhile on which to include in this post, the lens corrected image you see above (building is straight) or the non-corrected one with the building bending inward appearing to reach for the heavens.  

Sykes Building Downtown Tampa Twilight - Nikon D300 Tamron 17-50mm @ f/16 ISO 200 10 sec tripod mounted with cable releaseI really enjoyed being alone atop that parking garage waiting for the evening to transition from dusk to twilight.

Tampa Model Urban Portfolio Shoot with Stephanie

Pay phones may not be around much longer, I will be sad to see them go -- Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 200 1/60th Strobist: SB-600 to frame left

During this portfolio shoot with model Stephanie in and around downtown Tampa a telephone theme began to just naturally get created.  I did not think about it at the time, but upon editing the above photo I realized that pay phones will not be around much longer.  Probably anyone under age twenty today has never nor will ever use one.  I find it very interesting the things that become obsolete in a society.

Similarly, phonebooks will become relics -- Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 200 1/80th Strobist: SB-600 to frame leftIt seems only natural that if pay phones disappear, so too will phonebooks.  I cannot say that the last few phonebooks did anything but immediately go into the hallway closet and then eventually the recycling bin.  We found this old, decaying phonebook near an equally old and decaying house.  It was my idea to add the cellphone to the shot to contrast with the phonebook.

Analog technology in ruin -- Nikon D300 Nikkor 80-200mm @ f/2.8 ISO 400 1/400th Strobist: SB-600 to frame rightI really enjoyed making these nontraditional modeling shots with Stephanie and I appreciate her being open to so many unusual ideas.  She interacted with all the urban props we found in juxtaposition to how she was dressed, in flowing summer dress.

Photographing Secretary of Labor Hilda Solis - what it was like

Secretary Solis is not in this image due to restrictions on usage.

(editor's note:  There are no photographs of Hilda Solis in this post because I have not exactly been granted permission to use them in such a way yet, and may not be.)

Last Friday I received a phone call of a sudden asking if I would be available to photograph U.S. Secretary of Labor Hilda Solis on Tuesday.  I said, sure I can do it!  She would be the highest level government official by far that I would have the opportunity to photograph.  The previous high was a city level mayor.

Photography-wise, this would not be a new assignment as I have photographed many of these types of roundtable events before.  The Secretary would be attending two roundtables, one at the Port of Tampa (very cool building surprisingly) and then another at Centro Asturiano in downtown Tampa.  My job was just to photograph her speaking at these events with a focus on images of her with the attendees.  

When I arrived at the Port of Tampa at 11:20am it felt like a different photography gig.  I could feel the anticipation in everyone already on site.  I went through no special security or anything like that, and accepting the job was just a matter of saying, "yes, I will do it," in an e-mail reply.  I was hoping to get some kind of clearance badge or something like that to keep as a souvenir!

The Secretary entered the roundtable room with no fanfare or introduction.  She seemed very happy to meet and greet people on her way to her seat.  Now you might think photographing someone sitting at a table is the easist thing in the world to photograph.  It is not.  People make lots of facial gestures while speaking, only about 10% of which are flattering!  Most of the time if you freeze the look on someone's face while they are talking it will look funny.  So it takes quite a few shots to get one to look proper.  

After the discussion, which I enjoyed, it was time for what the Department of Labor called "grip and grin" shots, where Secretary Solis shakes hands and poses for a photo with the various guests in attendance.  I thought it a very funny term.  

All these repeated at the second location of the day.  Then Secretary Solis was whisked away to the airport for a flight to Ft. Lauderdale for presumably another day of meeting with the public like this.  I think it must be a very good feeling for people to be so happy to meet you and have you them tell you their sincere desires for what they need to improve the local community you happen to be in.  It also must be extremely exhausting to have your attention so sought after day after day.  

I was impressed by how carefully Secretary Solis listened to everyone's issues and concerns.  I saw her and her staff feverishly writing notes and making reminders for follow ups with the appropriate channels.  This was most impressive.  

When Secretary Solis returns to the Tampa Bay area I look forward to the opportunity to photograph her in action again.

Photography Tip - search your archives for photos you make like now

Abandoned train car in Tampa, Florida - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D @ f/2.8 ISO 200 1/2500thI have been going through my photography archives from the past three years looking for images to update my various portfolios with.  While looking for specific types of photos, I also found random photos that I had never edited, never given any attention to before, that for some reason now catch my eye (see above train photo).  This gave me the idea for . . . 

Photography Tip -- go through your photo archives to find hidden gems & to see how your photography tastes have changed

 

Not only may you find that what you think is an interesting photograph has changed, but if you have greatly improved your digital photo editing skills like I have over the past few years, you may find that you can save a photo that previously was left for the scrapheap.  

Go through your archives this week and see if you find a forgotten photo that you now really like or even love.  Post a link to it in the comments below! 

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  • Ford Thunderbird 1955-1957 First Generation Sacred Heart Church Tampa Wedding

    Ford Thunderbird 1955-1957 First Generation - decorated for a wedding in Tampa - Nikon D300 with Tamron 17-50mm @ f/8 ISO 200 1/125th tripod mountedIn the early summer I second shot for a very large Tampa Wedding.  My first duty was to photograph the groom getting ready then head to the Sacred Heart Church in downtown Tampa to get shots of the pre-wedding ceremony.  This allowed me to photograph a first generation circa 1955-1957 Ford Thunderbird in full "Just Got Married" decoration.  Though I had the time, there were still obstacles to shooting how I wanted to in limo drivers arriving and taxis and other regular traffic zooming by so I had to keep one eye on staying alive and the other on the Thunderbird.  

    1955-1957 Ford Thunderbird looking very classy in front of Sacred Heart Church in Tampa - Nikon D300 with Tamron 17-50mm @ f/8 ISO 200 5-bracket HDR tripod mountedDespite there being traffic, that did not stop me from scurrying out into the middle of the street to make the above HDR image of the elaborate architecture of the Sacred Heart Church entrance complemented by the classic profile lines of the Thunderbird.  Cars from the 50s have such a presence.  I wonder if current auto workers feel as much pride when a Focus rolls off the assembly line today as they did when one of these beauties did in the 50s?  

    Leave the future behind . . . - Nikon D300 with Tamron 17-50mm @ f/8 ISO 200 1/100th tripod mountedI very much look forward to someday owning a classic car myself and doing the best thing the continental United States has to offer, driving from coast-to-coast.