Snell Isle

Sunrise Dawn Sky Over Smacks Bayou Snell Isle St Petersburg Florida Fine Art

The sunrise dawn sky over Smacks Bayou as seen from my back patio - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/60th handheld 

 Every morning I am outside, briefly around 6:30am.  It is almost like clockwork, but it is not my clock that keeps this schedule, rather it is Kiki's.  She wants to go out to pee then quickly come back inside to eat breakfast, then we both go back to sleep until a more sane time to fully wake up.  At this time of year (April) this morning ritual coincides with late dawn just before the actual sunrise.  In the approximate 2-minutes we are outside I usually look at the horizon through not quite wet enough contacts and note what color can be found in the sky this particular morning.

Yesterday the water of Smacks Bayou was particularly calm producing a fairly clean reflection.  My senses were of course not fully functioning, but after feeding Kiki her breakfast I did go back out to make a few handheld photos of the above scene.  I should have been using a tripod of course, but I did not have the ambition or coordination at that moment to fumble with putting on the tripod plate, etc.  I think what I will do to remedy this is already have my camera mounted on my tripod before I go to bed, so should the dawn sky be particularly beautiful, all I have to do is step outside, compose and click the cable release letting the gear do most of the work for me.  

Vivid Florida Waterfront Neighborhood Twilight Palm Trees

The best part of living in Florida, its sunset & twilight views - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D @ f/8 ISO 200 10 sec on Induro CT214 tripod with Nikon MC-30 cable releaseIf you are a photographer living in Florida, very likely you will, at least at first, be most drawn to photographing the magnificent twilight and sunset skies Nature provides on a daily basis.  The time of the transition from day to night is my favorite part of the 24-hour day cycle.  I have a fantastic view of this from my back patio, but to be honest, I do not take advantage of it enough.  In summer with the later sunset time, it is easier as I often take Kiki for our evening walk between 8pm and 8:30pm.  Now back in regular time, with sunsets coming before 6pm, our walks are in all darkness, but those provide stargazing opportunities.

Vivid twilight photographs are not difficult to make.  All you need are:

  • a western view (or eastern if clouds available to reflect twilight)
  • a sturdy tripod
  • the correct shutter speed to pull the most color from the sky

The DSLR and the lens used do not matter that much.  The sturdy tripod eliminates problems of camera shake resulting in blur.  The correct shutter speed eliminates exposure problems, but since you are using a very long exposure, there is a wide range of choices depending on one's desired results of a brighter or darker twilight image.  So unlike many other types of photography, the margin for error in twilight shooting is far greater than say a sunset portrait.

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  • Carnival rides motion blur at night St. Raphael Festival Snell Isle Florida

    Carnival rides intersecting motion blur - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable release

    I feel lucky to live just a few hundred yards from a field that is home to an annual carnival.  Where do the come from?  Where do they go?  I do not know.  For three days and two nights they bring their rides, their prizes and their deep fried Oreos (delicious!) and delight this small island community.

    Concentric circles ferris wheel motion blur - Nikon D300 with Tamron 17-50mm @ f/16 ISO 200 15 sec mounted on Induro CT214 tripod with cable releaseYet, the cost of enjoying the carnival to its fullest is too expensive for me.  Each ride is about $5.  There is the option of buying an unlimted ride pass for . . . $30.  I did not go on a single ride.  Each food item, likewise, is basically $5 or more.  I could not resist a huge sign declaring, "DEEP FRIED OREOS."  They were not what I expected.  Basically funnel cake batter surrouned a very warm Orea cookie that loses all of its crunch in the frying process so it warmly dissolves in your mouth leaving the familiar Oreo aftertaste.  If they were not $1 a bite, I would have eaten ten!

    Fiery Ferris Wheel reflection - Nikon D300 with Nikkor 80-200mm f/2.8D @ f/16 ISO 200 5 sec mounted on Induro CT214 tripod with cable releaseSince I could not enjoy the carnival in its intended purposes, I instead had to appreciate it only for its night photography opportunities, of which there were many.  I stood at the east edge of my apartment complex in complete darkness before my tripod pointing my lens at the lights just across the water.  I felt like an astronaut observing an alien world.  Mine was dark and silent, theirs filled with dazzling light and laughter.

     The time machine conductor - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseThe pilot of the ferris wheel remains stoic as carriage after carriage passes through time and space.  Who knows what speed they pass by?  

    like a spool of colorful thread - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseYet the ferris wheel almost seems a snail in comparison to this machine which lifts its subjects into the night sky spinning so fast that one appears to be a constant at once everywhere and only there.  

    Night Over Carnival motion blur - Nikon D300 with Tamron 17-50mm @ f/16 ISO 200 25 sec mounted on Induro CT214 tripod with cable releaseSurely when one visits Mars the view from outside of town mirrors the one above.  Hopefully they have deep fried Oreos on Mars as well.

    Ride first, eat second - Nikon D300 with Tamron 17-50mm @ f/8 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseIn the warped world of the carnival, food is the only constant.  Everything else flirts between dimensions.

    Tilt A Whirl motion blur - Nikon D300 with Nikkor 80-200mm f/2.8D @ f/16 ISO 200 15 sec mounted on Induro CT214 tripod with cable releaseHaving no Martian technology the semi truck in silhouette is like the octogenarian observing the child with today's digital devices removing one from the present.  For me, I will remain with the truck on the outside, as always only the observer.

    Pelican vs. Great Blue Heron Sunset on Snell Isle Battle

    brown pelican vs great blue heron - f/5.6 ISO 200 1/1000th

    Two of the largest birds in Florida are the brown pelican and the great blue heron.  They are a common site around Snell Isle.  I have seen both and photographed both many times in the past, but I never caught them in semi-battle with each other.  This particular great blue heron often likes to stand on the edge of a small dock nearby.  I see him/her on my evening walks with Kiki.  This brown pelican too likes to frequent the water around here dive bombing in for a late dinner.

    Well, this time the pelican was diving too close to the great blue heron and she/he got cranky and the showdown pictured above took place.  The pelican was determined to eat, the great blue heron was determined to hold her/his ground.  In the end, the pelican moved on and the great blue heron returned to his/her usual stoic stance.   

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  • Photography Tip - broken habits create new opportunities

    Snell Isle Sunset St. Petersburg Florida - f/8 ISO 200 3-bracket HDRThe most peaceful part of my entire day is when I take beloved puppy, Kiki, for our after dinner, sunset walk around the "big block."  We start out on the very path pictured above and walk along Smacks Bayou aways often spotting dolphins and manatees.  However, this evening just minutes before we were to set out on our evening stroll, a sudden heavy rain fell, then stopped, then started again.  Our walk was, sadly, washed out.

    However, this break in our routine created the chance for me to photograph the above scene.  I still took Kiki out for a quick call of nature, saw the sunset, and thought to myself, "a real photographer would go back inside, grab his/her camera, then come back out and photograph this putting aside one's disappointment at not being able to go on a peaceful stroll.

    So, an irritation produced an opportunity.  If your usual schedule gets sidetracked, look for new photography chances because of it.

    Snell Isle Series - 05 - Great Blue Heron Sunset Silhouette

    Great Blue Heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thIt is far, far too rare that I take my Nikon D300 out for personal shooting, even to my own back patio.  This past Sunday night, most likely due to the lack of sports on TV, I was sitting on the back patio enjoying the view of Smacks Bayou and the setting sun when I noticed a pelican diving and a great blue heron getting annoyed by that diving.  I saw this as an opportunity to continue my slow moving Snell Isle Photo Series.

    Great Blue Heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thThe conflict with the pelican I will save for another post, while here I will only feature the placid and mostly stoic stance of the great blue heron.  I very rarely make silhouette shots, mostly because they are too easy and too common, but recently my interest in them has started to grow.  Manual exposure mode is a must of course to produce them.  A fast shutter speed causes everything that is not the sun or its immediate surroundings to remain dark, producing a silhouette shot.  

    Great Blue Heron walking sunset silhouette - Snell Isle Florida - f/5.6 ISO 200 1/1000thGreat blue herons in this area of Florida have little fear of people.  They are quite approachable.  This means with only my trusty Nikkor AF ED 80-200mm f/2.8D lens, I can get close enough to pretty much get as tight of a shot as I want.  They walk very deliberately, never scurrying.  I like that.

    Great blue heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thThe great blue heron featured in these shots did not mind to be photographed at all.  In fact, I believe the same great blue heron returned to my back patio last night and stood just a few meters away dead staring at me.  It was very strange.  This bird is over three feet tall, almost person like.  We were unable to clearly communicate to each other what the other wanted.  Perhaps the dialogue will continue tonight?

    St. Petersburg Snell Isle Christmas Wedding

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 200 0.8s tripod mounted with cable releaseIt is always nice when you have the chance to photograph the wedding of someone you know, even if it is just tangentially.  For this Christmas wedding (day after actually) I had the shortest commute I think I will every have, literally just two minutes as it took place at a neighbor's* home here in Snell Isle, St. Petersburg.  I know the neighbor from the local dog park.  Our dogs have been fast friends since they were 4-month old puppies.  I met the bride-to-be at the dog park as well the week before the wedding as she and her fiance traveled down to Florida with their own dog.

    Macro shots with Nikon D300 & Nikkor AF-S 105mm VR micro lensDue to my familiarity with all involved I had zero nerves before going to photograph this wedding.  Plus, I had done all due preparation by visiting their house and seeing exactly where the ceremony would take place and on the wedding day there was ample time to photograph the rings, wedding dress, etc before the actual ceremony.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 200 1/80th Nikon SB-800 Speedlight hotshoe mounted in TTL modeAs you can see, there were water hazards involved in photographing the wedding ceremony!  Though I had to be very careful with my steps, this island setting allowed for clean views from all sides of the couple during the ceremony.  No human, dog or camera gear fell into the pool thankfully!

    Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/2.8 ISO 400 1/200th natural lightThe atmosphere the entire afternoon was very lighthearted and full of laughter, even during the ceremony.  This further contributed to my lack of nervousness the entire wedding and made it just plain really fun to be a part of, even though I was working and my usual focused self while shooting.  

    Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/2.8 ISO 400 1/200th natural lightThere were surprises during the wedding ceremony as the groom gave his bride a ring she had never seen before.  I was told later that it had significant meaning.  Before the smiles you see above there were hugs and tears at the sight of the ring. 

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 400 1/80th Nikon SB-800 Speedlight hotshoe mounted (straight up) in TTL modeAfter the ceremony the carefully selected wedding guests and family members got together for a formal portrait in the living room, though the laughs that first broke out during the wedding ceremony carried over to the formals as well, which was fine by me.  

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 320 1/50th Nikon SB-800 Speedlight hotshoe mounted in TTL modeThen the newlyweds and I were off for some outdoor shots on a very, very cold winter day.  I fear warm winters for west central Florida are now a thing of the past, and daytime temperatures in the 50s will have to be tolerated, or one must move to Key Largo.  I had the benefit of wearing my unfailing Mountain Hard Wear Windstopper Tech Jacket, and the groom at least had on his suit jacket, so the bride was the bravest of all showing no sign of freezing despite wearing a wispy wedding dress.  I worked as fast as I could to get the shots I wanted to at the gazebo in front of the Vinoy Country Club golf course, a location I had always wanted to photograph at.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 320 1/50th Nikon SB-800 Speedlight hotshoe mounted in TTL modeFrom there we went to the waterfront near a famous (for Snell Isle residents) white bridge.  As twilight took over the area, the temps dropped even more, so I was very glad to hear the couple say they had actually practiced "the dip," a skill for sure that I recommend all future couples practice before the day of their wedding.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/4 ISO 800 1/40th Strobist: SB-800 handheld "quick & dirty" styleThis was the very last shot I took of the entire day.  It was an extremely satisfying experience from a photography standpoint as I got to try many different shots I never had before.  This was as enjoyable as photographing a wedding gets.  Thank you to the bride & groom for their super cooperation and toughness, and for my neighbors hiring me to photograph their daughter's wedding.  See you all at the dog park!

    --More from this wedding coming soon: bride series, black & white wedding 

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    *names not mentioned for privacy