digital background

Photography Tip - replace a busy background with clean sky Corvette Photography

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This Corvette is real, and the sky is real, but they were not really photographed together.

I went to a Corvette car show in South Straub Park this past Saturday mostly to meet the owner of the above customized Corvette.  I first photographed his car back in November.  He was not by his car at the time and only by chance found my photograph of it.  Since then I have been in regular contact with the owner, Bobby, about possibly doing a full shoot of his Corvette.  That still has not happened yet, but at least on Saturday I got a chance to go see him and say hello.  

This is the original image as made on site at a car show in St. Petersburg FloridaI have written several times that shooting cars at car shows often results in less than desirable images, if you want the focus to be on the car itself.  This case was no different as the trees in the background compete for the viewer's eye just as much as the Corvette.  The solution for a busy background?  Replace it with a better one!

Corvette cut out from the background using Photoshop Quick Select ToolIt was pretty straight forward to remove the Corvette from its background using the Quick Select Tool in Photoshop.  I kept the grass foreground as seen above.  I was careful to of course not select the inside of the window so that too could be part of the background replacement.

The replacement background used in the composite image.I went into my photo archives to look for a suitable replacement background.  Using actual objects is rather hard to do as proportions can be very difficult to match (car looks giant, buildings look tiny, etc).  A sky background is usually a good and easy replacement background subject.  I used one I made of Sunset Beach on Treasure Island, Florida.

The new background slipped right behind the Corvette, window included.Then it is just a matter of slipping the sky background layer behind the Corvette layer in Photoshop.  I positioned it taking into consideration cloud placement.  I did not even need to cut out the sandy beach part because that is all hidden behind the Corvette.  The above image is the final composite photograph which allows the viewer to focus on the Corvette as the subject.

Motion blur added to a more advanced edit of the Corvette composite image

After getting a composite image I liked, I experimented with even more Photoshop editing.  I added a motion blur to the grass and a radial blur to the tires to create the illusion that the Corvette is speeding along on the grass.  I darkened the window and put in a silhouette of my own head to show a driver inside to help complete the motion illusion.  What do you think of the motion shot?  Is it convincing or not quite there yet?

Ferrari 458 Spider in yellow on white background St. Petersburg Florida Car Photography

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Selected crop & edit of a Ferrari 458 Spider photographed in St. Petersburg FloridaGoing through my unedited car photography archives, I found this straight on view of a yellow Ferrari 458 Spider.  It was originally photographed at the Grand Prix Gala inside a office building's lobby (see below).  The background was of course busy and full of people.  To put the focus on the car itself I decided to cut it out of its original background and place it on a digital white background.  Below is the digital photo editing process for making the final image.

I cropped the Ferrari above its bumper to give it a kind of peaking up at the viewer look.  

Two Chefs Commercial Headshots on digital white backgrounds Belleair Bluffs Florida

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Chef Scott & Chef Erwin posing for an updated look - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame rightThis morning I drove over to Belleair Bluffs (surprisingly little traffic) to photograph two chefs.  Networking friend Allen who works in marketing referred this job to me, thank you! (if you need marketing, see his site)  The chefs needed updated headshot style photos for new marketing materials, including a billboard!  So if you are driving around Belleair Bluffs keep a lookout for these images!

Chef Scott individual promotional shot Belleair Bluffs Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame back rightI photographed them inside the restaurant itself, but all that was desired by the client was a final image on a clear background.  To make it easy to cut them out of the shot I setup a white background.  The white background in these images here was added in Photoshop.  The client though can add any color or type of background as needed.

Cheff Erwin individual promotional headshot Belleair Bluffs Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame back rightI have photographed with clients with glasses before, and have had some challenge getting know glare or reflection showing up.  This time the challenge was a bit more than usual.  I think I learned a tip for eliminating glare/reflection in glasses, have the subject look down slightly.  That was how I was able to make the above photo of Chef Erwin with signature glasses on.

Photography Tip - shoot slowly after you push the shutter exhale and follow through

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Wait to do this until you have at least finished pushing the shutter!

I have noticed when people are beginning to formally learn photography they can be impatient with seeing how their shot came out.  I see this behavior when they are shooting.  It seems almost before they have even finished pushing the shutter they are already looking at the back of their camera to see how bad the shot came out.  I always discourage this behavior and encourage taking your time.  Pushing the shutter on your DSLR, and thus starting the action of making a photograph, is a lot like a swinging motion.  The follow-through is important too.  

So when you push the shutter, push it and follow through by holding the shot, by exhaling, letting thoughts flow through your mind about what you just did, and then review your shot on the back of your camera.  If you are so hastily looking at your shot after you take it then you were not ready in the first place to even push the shutter.  Prepare more before pushing the shutter so you know what to expect after you do.  

Orange Lamborghini Gallardo Superleggera HDR St. Petersburg Florida car photography

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An orange Lamborghini Superleggera on digital black background photographed in St. Petersburg Florida - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDRMy favorite Lamborghini is the Lamborghini Gallardo Superleggera because of why and how it was made (super lightweight to be the best driver's car possible).  At the Festivals of Speed Concours d'Elegance 2013 in St. Petersburg Florida I had the opportunity to photograph this orange Superleggera.  As is often the case with shooting at car shows, the background was less than ideal.

Original HDR image of this Lamborghini Superleggera at the Festivals of Speed St. Petersburg Florida 2013I had this in mind when looking for the best angle to photograph the Lamborghini.  I knew the background did not matter, I would edit it out.  What I looked for was minimal reflections in the car body.  To my surprise there were almost none the entire length of the driver's side, hence I setup my tripod to shoot it from this angle.  Choosing a black background also hid any imperfections in carrying over the shadow under the car.

Chrome Nissan GT-R at Festivals of Speed 2013 St. Petersburg Florida Car Event Photography

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Chromed Nissan GT-R at the Festivals of Speed 2013 event in St. Petersburg Florida, highly stylized & editedAt the Festivals of Speed 2013 car event in St. Petersburg, Florida, there was no shortage of cars getting a lot of attention.  However, a chrome Nissan GT-R was getting more than most.  Anytime you chrome out a car, it is going to be eye catching.  Whether such a finish to a car is to your taste or not, you cannot help but stare at it.  Since this GT-R was surrounded by people, I had to do a lot of editing in Photoshop and other apps to get a final result I liked.  Below I show the process.

I chose to completely replace the sky because that was much, much easier to do than to edit out the people and trees in the existing background.  This way I only had to select the car and foreground and then place that on a new layer and slip in behind it a blue sky I had in my archives.  The choice to go infrared was because of how black it made the sky, and in contrast how shiny the car looked in comparison.  Editing out the reflections in the car was just a tedious process that needed to be done to complete the look.

Unique Pet Photography - Kiki sitting upon her chair

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Kiki fits snugly but somehow comfortably in her own chair in front of the window - Nikon D300 Nikkor 80-200mm @ f/7.1 ISO 200 1/125th - Strobist: SB-600 @ 1/1 power to frame left in shoot through umbrella and SB-800 @ 1/4 power to frame right in 43" brollyAfter making a headshot for a client in my home photography studio, while I had all the lights setup, I tried to coerce Kiki into letting me make a photograph of her.  She is very, very reluctant to do so for some reason being very resistant to the whole idea.  So this time I put her favorite chair in frotn of a white background (though later digitally edited for a pure white background) and had her curl up into it in her usual manner.  She spends a lot of time lying down like this staring out the sliding glass door beside my work desk.  

She was actually facing into the living room and not out the window, her distant look is just her trying to avoid looking at me and into the lens!